Crude as it seems, on any given day there may be hundreds if not thousands of corporations, advertising agencies and marketing consultants looking at their businesses in much the same way Bruce Levenson analyzed the Atantla Hawks.
In such a world we are not members of an ethnic culture, a community to be respected, or individuals to be polite about. We are commodities of the particular variety known as a demographic or a “demo.”.
Here is from Levenson’s email:
Regarding
game ops, i need to start with some background. for the first couple of
years we owned the team, i didn’t much focus on game ops. then one day a
light bulb went off. when digging into why our season ticket base is so
small, i was told it is because we can’t get 35-55 white males and
corporations to buy season tixs and they are the primary demo for season
tickets around the league. when i pushed further, folks generally
shrugged their shoulders. then i start looking around our arena during
games and notice the following:
- it’s 70 pct black
– the cheerleaders are black
– the music is hip hop
– at the bars it’s 90 pct black
– there are few fathers and sons at the games
– we are doing after game concerts to attract more fans and the concerts are either hip hop or gospel.
– the cheerleaders are black
– the music is hip hop
– at the bars it’s 90 pct black
– there are few fathers and sons at the games
– we are doing after game concerts to attract more fans and the concerts are either hip hop or gospel.
Then i start looking around at other
arenas. It is completely different. Even DC with its affluent black
community never has more than 15 pct black audience.
Before we bought the hawks and for those couple years immediately after in an effort to make the arena look full (at the nba’s urging) thousands and thousands of tickets were being giving away, predominantly in the black community, adding to the overwhelming black audience.
My theory is that the black crowd scared
away the whites and there are simply not enough affluent black fans to
build a signficant season ticket base. Please dont get me wrong. There
was nothing threatening going on in the arena back then. i never felt
uncomfortable, but i think southern whites simply were not comfortable
being in an arena or at a bar where they were in the minority. On fan
sites i would read comments about how dangerous it is around philips yet
in our 9 years, i don’t know of a mugging or even a pick pocket
incident. This was just racist garbage. When I hear some people saying
the arena is in the wrong place I think it is code for there are too
many blacks at the games.
This is not about race; it’s about cash.
And there were a few things that went missing in the mainstream media coverage. One radio station reported, “Back in April, Levenson told an Atlanta radio station that he would support ousting then-Los Angeles Clippers owner Donald Sterling, who was recorded making racist statements to his girlfriend.’ He was the first team owner to call for Sterling’s resignation. And, said another journal, “Levenson served as president of the “I Have a Dream Foundation,” which helps children from low-income situations pursue higher edcuation.”
from
day one i have been impressed with the friendliness and professionalism
of the arena staff – food vendors, ushers, ticket takers, etc. in our
early years when i would bring folks from dc they were blown away by the
contrast between abe pollin’s arena and philips. some of this is
attributable to southern hospital [sic] and manners but bob and his
staff do a good job of training. To this day, I can not get the ushers
to call me Bruce yet they insist on me calling them by their first
names.
Dave Zirin in the Nation provides some of the back story:
Levenson
writes nothing in the letter that has not been on the front burner for
the last twenty-five years. In the late 1970s, as David Halberstam wrote
in 1981 book The Breaks of the Game, the powers-that-be in the NBA
thought the league was too thuggish, too urban and, in their minds, too
black. The dream was to make the league palatable to a stereotypical,
upscale suburban audience. New commissioner David Stern, with the help
of three players named Magic, Bird and Jordan, did exactly that and sent
the league into the global stratosphere. Starting in the post-Jordan
late 1990s, this executive racial panic returned with a vengeance.
Players were now “too gangsta”. Sportswriters were reaching for their
monocles at the sight of these new ruffians. Now Stern was consulting
Republican strategist Matthew Dowd on how to give the league “red state
appeal.” Then the infamous player dress code was instituted. Allen
Iverson’s tattoos were airbrushed off of his skin in a league magazine,
and high school players were denied entry into the draft. In addition,
the league made a big show of announcing new penalties for marijuana
use. This reflected their fears that profit margins would shrink if they
did not show upscale white fans who was in charge of this majority
black league, all with an eye on the green.